#writing prompt blog

[callaswritingprompts]

Welcome to Calla's Writing Prompt Archive

Home of all writing prompts created by @callalillywrites.

No prompt featured here is created by AI. I believe AI is the death of creativity, and this little side project is meant to be a labor of love and never-ending creativity for myself.

Just some basic information:

If you like a prompt, that's beyond awesome. Likes and especially reblogs make my day!

If you want to use a prompt, go for it. They are here to use however you like. All I ask is credit this blog if you do use any of them.

If you'd like me to read your creation or whatever a prompt inspired you to create, please tag either this blog or my main (above). I'd love to see it and reblog it to show off to everyone else.

Any questions? Please drop me an ask or message.

[hayatheauthor]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[theaftersundown]

*writes two paragraphs after months of literally nothing and it took three hours*

[free-range-writing-prompts]

Welcome.

[note: please scroll to bottom of post if you want a more detailed explanation (with tangential ramblings) on singular gender-neutral pronouns you may see in this blog, namely:

e = singular of 'they', used instead of 'he', 'she'

em = singular of 'them', used instead of 'him', 'her'

er = singular of 'their', used instead of 'his', 'her']

Now... an intro. What is this blog? This is where I turn loose writing ideas I have that are surplus to my requirements. I have built up a stockpile of countless writing ideas of various kinds, and in going through my old files I sometimes identify ones that I am certain I will never use because they don't fit into my current (or planned) projects, and I am now reluctant to build new writing projects around my surplus ideas, having what may easily be considered as far too many unfinished projects already. So I put them here, like baby animals in a cardboard box marked: "free to a good home".

If you see an idea here that you want to adopt for your very own, please do. (though someone else seeing it may also use it, that's not up to me... but if you want to use one seriously for a real writing project of your own, I don't mind if you post a reply saying so, so that others might be aware that you claimed it, if they see your comment)

Also note: sometimes here, I use singular third-person neutral (non-gender-specific, gender-neutral) pronouns that are derived from the English language plural third-person neutral pronouns. This is generally when I am either writing about a situation where someone speaking doesn't know what gender pronoun to use (ex: speaking of someone whose identity is unknown) or, more often, when my notes are describing situations where the characters are undefined and gender doesn't matter to the situation being described and it's left up to later development of the idea, to assign gender specifics to characters. (which actually is most of the time, I think)

I have been using such neutral singular pronouns in my own writing notes for myself, literally for decades. [I decided at a young age that it was a deplorable deficiency in the English language not to have them, and decided to make my own out of the plural versions, though for a REALLY long time I didn't use it in writing that would be seen by others, because I didn't want to confuse people with it back when it was an almost-unheard-of concept generally, but I don't really like using the plural pronouns to denote singular (except maybe in slang speech out loud), so to appease my teachers, I had a long-standing habit of "writing around" it by using turns of phrase such as "one's own preference" when writing things others would read. (a sometimes awkward convention that has been in the English language long enough to be truly venerable in age, but which never really could fully make up for the lack of neutral singular third-person pronouns)

[side note: I was actually horrified as a school-kid, when a (female) English teacher who one might otherwise think was pro-feminism (based on her book recommendations and interpretations) actually told me that it was acceptable in English to use the male-defined pronouns in situations where one meant to indicate a person of unknown (or undefined, unspecified, unspecific) gender, where plural pronouns would clearly not be allowed by rules of English grammar. (at the time, using 'they' them' and 'their' was not so common in slang use as singular pronouns, and considered unacceptable by English teachers regardless) ...even though using male pronouns (for anyone generally) may have been acceptable back in the 1800s and earlier, I had thought that after the 1960s at least (when the teacher in question was probably a college student) ...even if women still had inequality in the workplace by the time I was a school-kid (and still do, in some ways, though in many jobs not QUITE as much as it was then) ...I thought that society should have gotten past that kind of inequality in the written word. THAT'S when I started having 'one' be commonplace in my writing for English classes, because I never wanted to hear any English teacher ever again tell me to (by default) use male pronouns for something that SHOULD potentially refer to anyone of any gender. (and it's also about that time that I made up singular versions of the plural pronouns for my own private use)]

I have since read that others have at some point also made the same or similar singular pronouns (as what I like to use) in the same way or by a similar process of derivation; I know many people have made many different versions of neutral singular third-person pronouns over the past couple decades... however, I remain partial to the ones I use, in part just because they've been in my own personal writing vocabulary for so long, and in part because I haven't (so far) come across any that make better sense to me]

Occasionally I may come across some old notes where I used the English plural third-person pronouns in a slang manner to denote a singular person (it would save me time over using 'one'), and really it's just laziness (I do suffer from chronic tiredness, forgive me) to not re-word it now when I type it up to share here. Note that regardless of what anyone else in the world chooses to use for one's own personal pronouns related to whatever definition any particular person may wish to use to designate gender... when I use these here, it is specifically to denote neutral pronouns, where gender is not indicated, just the same as with the English plural third-person pronouns being used for any persons of any gender.

Here are the ones I use, which you may see at any time in my notes in this blog:

e = singular of 'they', used instead of 'he', 'she'

em = singular of 'them', used instead of 'him', 'her'

er = singular of 'their', used instead of 'his', 'her'

My thought process in deciding on these:

I started with 'they', 'them', and 'their'... and removed the 'th' from each, leaving 'ey', 'em', and 'eir'. However, 'eir' would sound like 'ear' in north american English, and visually would look like it should sound different when compared to parts of other languages from Europe. So, I removed the 'i' to leave 'er', which rhymes with 'her' and is not already (to my knowledge) a word in the English language. For 'ey', I didn't like that it sounds like 'a' (a word in the English language, obviously) and looks like one possible (though maybe out of use now?) spelling of Canadian slang 'eh' as well as sounding the same... so I dropped the 'y' to leave an 'e' by itself, which rhymes with 'he' and 'she' anyway.

Usage examples:

"I don't know what e was thinking, I already said that jalopy-rocket wouldn't start, but e insisted on trying until the thing exploded!"

"The boss said to 'take care of em', and I thought it meant 'take em to the hospital'... how was I supposed to know it meant 'bury em someplace the cops will never find em'!"

"That kitten sure knows er place. Been here three hours, and has already claimed the top shelf for er throne, and has the chihuahua cowering under the bed in fear of er claws!"

[writersbloxx]

Body Language

When someone is...

Sad

Face/Body:

Avoidant/reduced eye contact

Drooping eyelids

Downcast eyes

Frowning

Raised inner ends of eyebrows

Dropped or furrowed eyebrows

Quivering lip/biting lip

Wrinkled nose

Voice:

Soft pitch

Low lone

Pauses/hesitant speech

Quiet/breathy

Slow speech

Voice cracks/breaking voice

Gestures/Posture:

Slouching/lowered head

Rigid/tense posture

Half formed/slow movement

Fidgeting or clasped hands

Sniffing or heavy swallows

Self soothing gestures (running hands over the arms, hand over heart, holding face in palms, etc)

[thewriteadviceforwriters]

Other Words for "Look" + With meanings | List for writers

Many people create lists of synonyms for the word 'said,' but what about the word 'look'? Here are some synonyms that I enjoy using in my writing, along with their meanings for your reference. While all these words relate to 'look,' they each carry distinct meanings and nuances, so I thought it would be helpful to provide meanings for each one.

Gaze - To look steadily and intently, especially in admiration or thought.

Glance - A brief or hurried look.

Peek - A quick and typically secretive look.

Peer - To look with difficulty or concentration.

Scan - To look over quickly but thoroughly.

Observe - To watch carefully and attentively.

Inspect - To look at closely in order to assess condition or quality.

Stare - To look fixedly or vacantly at someone or something.

Glimpse - To see or perceive briefly or partially.

Eye - To look or stare at intently.

Peruse - To read or examine something with great care.

Scrutinize - To examine or inspect closely and thoroughly.

Behold - To see or observe a thing or person, especially a remarkable one.

Witness - To see something happen, typically a significant event.

Spot - To see, notice, or recognize someone or something.

Contemplate - To look thoughtfully for a long time at.

Sight - To suddenly or unexpectedly see something or someone.

Ogle - To stare at in a lecherous manner.

Leer - To look or gaze in an unpleasant, malicious way.

Gawk - To stare openly and stupidly.

Gape - To stare with one's mouth open wide, in amazement.

Squint - To look with eyes partially closed.

Regard - To consider or think of in a specified way.

Admire - To regard with pleasure, wonder, and approval.

Skim - To look through quickly to gain superficial knowledge.

Reconnoiter - To make a military observation of a region.

Flick - To look or move the eyes quickly.

Rake - To look through something rapidly and unsystematically.

Glare - To look angrily or fiercely.

Peep - To look quickly and secretly through an opening.

Focus - To concentrate one's visual effort on.

Discover - To find or realize something not clear before.

Spot-check - To examine something briefly or at random.

Devour - To look over with eager enthusiasm.

Examine - To inspect in detail to determine condition.

Feast one's eyes - To look at something with great enjoyment.

Catch sight of - To suddenly or unexpectedly see.

Clap eyes on - To suddenly see someone or something.

Set eyes on - To look at, especially for the first time.

Take a dekko - Colloquial for taking a look.

Leer at - To look or gaze in a suggestive manner.

Rubberneck - To stare at something in a foolish way.

Make out - To manage to see or read with difficulty.

Lay eyes on - To see or look at.

Pore over - To look at or read something intently.

Ogle at - To look at in a lecherous or predatory way.

Pry - To look or inquire into something in a determined manner.

Dart - To look quickly or furtively.

Drink in - To look at with great enjoyment or fascination.

Bask in - To look at or enjoy something for a period of time.

[allthingswhumpyandangsty]

“writing fanfics is something I do in my free time for fun. I will not treat it like a job and will instead treat it like a hobby because that’s what it is.”

also how it feels being a fanfic writer:

[gigireece16]

“how do you plot / plan your book?” very bold of you to assume i do that.

[malusokay]

Journaling prompts to reinvent yourself ౨ৎ

how do I want the world to see me, and does it match how I see myself?

how do I show up for others, and how do they show up for me?

what about my life feels like love and what doesn't?

where does my time go, and where do I wish it would go?

who do I admire most, and what about them speaks to my soul?

is the way I live aligned with the life I dream of, or a I just coasting?

what qualities in others feel the most magnetic to me? Do I reflect those?

what’s inside my bag, and what does it say about me? (be honest, even the gum wrappers count.)

if I could script my perfect morning, how would it begin?

what passions have I ignored that I would like to reclaim?

what’s one small, powerful shift I could make today to move toward my dream life?

write a tender letter to the future version of yourself. What do you hope they’ve become, and what do you want them to remember about now?

As always, please feel free to share your own prompts and check out my insta for more of me! <3

✩‧₊*:・love ya ･:*₊‧✩

[samisverycool]

.𖥔 ݁ ˖ paranoid yandere prompts

"you were gone for seven minutes. you said you'll only be gone for five. what happened in those two minutes, huh? who were you talking to?"

"why won't you look me in the eyes anymore? look at me. just me. only me."

cries when you look even the slightest bit upset at him.

"what did i do? please, don't look at me like that! i hate it, i hate it so much!! just tell me what to do, and i'll do it. anything!"

mumbles about you in his sleep, how he'll never let you slip out of his grasp into the hands of someone underserving of your goodness.

"hmm.. *snores* precious... if i catch.. *snores* you with... *snores* someone else.. i will.... *snores* kill them..."

d1 overthinker. bro imagines you running away with that one guy you made eye contact with for 0.2 seconds at the grocery store.

needs reassurance 24/7, he'll go insane from his thoughts alone.

"you love me and only me, right? you'll never leave me? promise?"

[heywriters]

Details That Convey Intimacy

Developing fictional relationships that feel authentic takes more than dialogue and grand gestures. Every detail below can be used to show platonic, familial, agape, or romantic love depending on context.

cooking a meal for someone, bringing them food, or spontaneously sharing a snack

sharing body heat/warming someone with outerwear like jackets and scarves

fanning them with something if overheated

getting a cold/hot drink for them

offering to carry something, whether it's heavy or just a jacket, to lighten someone's load or free up their hands

more below the click!

changing the subject of a group conversation that will be personally discomforting to someone in the group

making sure to include someone in a group conversation, especially if it's a topic they have special knowledge of

waiting for someone to catch up when the rest of the group has walked ahead

remembering preferences/allergies ahead of time when preparing/ordering food

planning trips, whether in a pair or as a group, that provide something positive for every individual to enjoy

procuring personal healthcare items like sunscreen, moisturizer, lip balm, pain relievers, or a snack and keeping them on hand for that friend who frequently needs them

making room for someone in a crowded vehicle or on public transit

making room for someone under an awning or in another limited space to help them avoid bad weather

warning or wordlessly covering for someone with a wardrobe/cosmetic malfunction

remembering a small luxury someone mentioned they enjoy, and getting it for them the next time it's convenient

running an errand for someone to make their day easier ('importance of errand : depth of relationship' ratio should be explored)

escorting someone to safety in a sudden unsettling event

escorting someone who is drunk, sick, infirm, injured, or emotionally compromised

asking if light, noise, or other sensory factors are bothering someone and taking steps to make them more comfortable

getting gag gifts for someone to show you reciprocate their sense of humor or quirky self-expression (not everyone does this, not everyone appreciates it, and some people predominantly express love through humor and gag gifts; works well with some characters more than others)

holding someone's hand or arm as reassurance, especially when they are afraid*

using their body to block someone from wind, rain, or heat

picking up a dropped item, or carrying a train or other dragging garment for someone else

returning a recognizable possession to someone who may have lost it

This is an inexhaustible list as humans have many ways of showing love for each other. If you are writing spec fic with non-human characters, you can play with variations on these by remembering three core values the "lover" has to consider:

physical comfort of others

emotional comfort of others

social reputation of others

I'd add "sensory comfort" though I think it's tied to physical and emotional comfort.

Please do not try and force any of these into the mold of the misogyny-based "Love Language" trend. Human emotions and expressions of love are diverse and endless.

*While hand holding can be construed as romantic, in reality it varies. Some cultures do not see this as romantic, and some individuals only mean it as a sign of support or compassion. Same goes for long embraces and kissing, both can be done platonically and of course naturally between close family members or friends.

---

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[hayatheauthor]

100 Dialogue Tags You Can Use Instead of “Said”

For the writers struggling to rid themselves of the classic ‘said’. Some are repeated in different categories since they fit multiple ones (but those are counted once so it adds up to 100 new words). 

1. Neutral Tags 

Straightforward and unobtrusive dialogue tags: 

Added, Replied, Stated, Remarked, Responded, Observed, Acknowledged, Commented, Noted, Voiced, Expressed, Shared, Answered, Mentioned, Declared.

2. Questioning Tags 

Curious, interrogative dialogue tags:

Asked, Queried, Wondered, Probed, Inquired, Requested, Pondered, Demanded, Challenged, Interjected, Investigated, Countered, Snapped, Pleaded, Insisted.

3. Emotive Tags 

Emotional dialogue tags:

Exclaimed, Shouted, Sobbed, Whispered, Cried, Hissed, Gasped, Laughed, Screamed, Stammered, Wailed, Murmured, Snarled, Choked, Barked.

4. Descriptive Tags 

Insightful, tonal dialogue tags: 

Muttered, Mumbled, Yelled, Uttered, Roared, Bellowed, Drawled, Spoke, Shrieked, Boomed, Snapped, Groaned, Rasped, Purred, Croaked.

5. Action-Oriented Tags 

Movement-based dialogue tags: 

Announced, Admitted, Interrupted, Joked, Suggested, Offered, Explained, Repeated, Advised, Warned, Agreed, Confirmed, Ordered, Reassured, Stated.

6. Conflict Tags 

Argumentative, defiant dialogue tags:

Argued, Snapped, Retorted, Rebuked, Disputed, Objected, Contested, Barked, Protested, Countered, Growled, Scoffed, Sneered, Challenged, Huffed.

7. Agreement Tags 

Understanding, compliant dialogue tags: 

Agreed, Assented, Nodded, Confirmed, Replied, Conceded, Acknowledged, Accepted, Affirmed, Yielded, Supported, Echoed, Consented, Promised, Concurred.

8. Disagreement Tags 

Resistant, defiant dialogue tags: 

Denied, Disagreed, Refused, Argued, Contradicted, Insisted, Protested, Objected, Rejected, Declined, Countered, Challenged, Snubbed, Dismissed, Rebuked.

9. Confused Tags 

Hesitant, uncertain dialogue tags:

Stammered, Hesitated, Fumbled, Babbled, Mumbled, Faltered, Stumbled, Wondered, Pondered, Stuttered, Blurted, Doubted, Confessed, Vacillated.

10. Surprise Tags

Shock-inducing dialogue tags:

Gasped, Stunned, Exclaimed, Blurted, Wondered, Staggered, Marvelled, Breathed, Recoiled, Jumped, Yelped, Shrieked, Stammered.

Note: everyone is entitled to their own opinion. No I am NOT telling people to abandon said and use these. Yes I understand that said is often good enough, but sometimes you WANT to draw attention to how the character is speaking. If you think adding an action/movement to your dialogue is 'good enough' hate to break it to you but that ruins immersion much more than a casual 'mumbled'. And for the last time: this is just a resource list, CALM DOWN. Hope that covers all the annoyingly redundant replies :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[thenomadicquill]

Your Protagonist is a Liar. If your story follows only the main character, we see things how they see them. A main character is an unreliable storyteller, if they mean it or not. We, just like the MC, aren't in other characters' minds. So, moments are misinterpreted. Your main character sees the world through their own biases. We only know the main character's impressions of the side characters, and the villains. We read only their perception of these characters.

That doesn't make them a villain, its normal. It's realistic and purely understandable. They can't fill gaps of information simply because they weren't there. So, they make assumptions, they make judgements, they remember things incorrectly. Memory isn't perfect, details are changed or forgotten. It's only natural.

Let your protagonist lie. Maybe they don’t even realize they’re doing it. Maybe they do. See what happens.

[mylifewhump]

Whump community Reblog if you hate AI

it ruins the whole point of art

[busyw0man]

⋆｡‧˚ʚ💋ɞ˚‧｡⋆ 𝐲𝐨𝐮. 𝐦𝐞. 𝐧𝐨𝐰. (VERY USFT!!!!) 𝐚𝐜𝐭𝐢𝐨𝐧𝐬 - send ‘reverse’ for the sender and receiver to swap. adjust wording as needed!

[ grind ] sender straddles receiver’s lap and starts grinding against them, slow and intentional

[ whisper ] sender leans in and whispers exactly what they want to do to receiver in excruciating detail

[ wristgrab ] in the middle of a heated moment, sender pins receiver’s wrists above their head

[ needy ] sender pulls receiver into their lap, desperate and breathless, kissing them like it’s not enough

[ tease ] sender drags their lips and tongue down the length of receiver’s stomach, but stops just before going lower

[ undone ] sender undresses receiver one piece of clothing at a time, dragging it out with loaded glances

[ taste ] sender drops to their knees and starts kissing up the inside of receiver’s thighs

[ lapfull ] sender drags receiver onto their lap in the middle of a conversation, their hands already wandering

[ control ] sender takes full control, guiding receiver’s hands, body, and every motion

[ tug ] sender grips receiver’s hair and yanks their head back to kiss them roughly

[ choke ] sender wraps a hand lightly around receiver’s throat while their lips are barely apart

[ lipbite ] sender bites down on receiver’s bottom lip while grinding against them

[ praise ] in the middle of it all, sender whispers praise between every movement "just like that," "you're doing so good," "don’t stop"

[ beg ] sender makes receiver beg for it

[ mouthy ] sender licks into receiver’s mouth mid-kiss, messy and aggressive

[ suck ] sender sucks a mark into receiver’s neck, possessive and without shame

[ edge ] sender brings receiver right to the brink, over and over, refusing to let them finish

[ wrecked ] sender has one goal: to leave receiver trembling and ruined beneath them

[ needy grind ] clothes still on, sender grinds against receiver until they’re both panting, desperate for more

[ between ] sender slips a hand between receiver’s thighs while whispering, “you’ve been wanting this, haven’t you?”

[ ride ] sender pushes receiver down and climbs on top, holding eye contact the entire time

[ spit ] sender leans over and lets spit drip into receiver’s mouth before kissing them hard

[ mess ] clothes scattered, sheets ruined, bodies tangled—sender and receiver didn’t hold back

[ slow ] sender draws everything out. every stroke, every breath, every motion unbearably slow

[ possessive ] sender fucks receiver like they’re trying to make sure no one else ever will

[ overstim ] sender keeps going even after receiver's already shaking from release

[ grip ] sender grabs receiver by the hips, holding them in place while taking full control

[ hot & heavy ] sender and receiver go at it somewhere they absolutely shouldn’t

[ control freak ] sender lets receiver think they're in charge… until they flip the roles mid-way

[ lips everywhere ] sender kisses every part of receiver’s body.

[ breathless ] sender doesn’t let up until receiver is clawing at their back, gasping for air

[ all night ] sender makes sure receiver doesn’t sleep... again, and again, and again

[ tongue ] sender slides their tongue along receiver’s skin, taking their time tasting every inch

[ dark corner ] they don’t make it home! sender drags receiver into a shadowed corner and gets to work

[ eye contact ] sender holds eye contact the entire time they’re going down on receiver

[ mirror ] sender takes receiver in front of the mirror so they can both watch

𝐝𝐢𝐚𝐥𝐨𝐠𝐮𝐞

❝ i want to hear every sound you make. don’t hold back. ❞

❝ get on your knees—now. ❞

❝ you’re not leaving this bed until i say so. ❞

❝ look at you. all mine and dripping for it. ❞

❝ you said 'just one more time' last time, remember? ❞

❝ keep quiet, or they’ll hear. ❞

❝ is this what you wanted? me, like this, ruining you? ❞

❝ you’re shaking—already? we’ve barely started. ❞

❝ i haven’t even touched you yet, and you're already begging. ❞

❝ be good for me and spread your legs. ❞

❝ don’t you dare finish until i tell you to. ❞

❝ you’re going to be the death of me, but i’ll die happy. ❞

❝ say it. say you need me. say it louder. ❞

❝ i could do this all night. want to test me? ❞

❝ if you want more, use your words. ❞

❝ you look so pretty when you beg. ❞

❝ you’re not shy now, are you? ❞

❝ take it. like that. good. ❞

❝ tell me where you want my mouth. ❞

❝ don’t bite your lip—moan. i want to hear it. ❞

[thewriteadviceforwriters]

Character Flaws and Their Meanings

Impulsiveness : Acts on instinct without careful planning. Perfectionism : Sets unrealistically high standards, leading to self-criticism. Indecisiveness : Struggles to commit to decisions or choose a path. Arrogance : Overestimates one’s abilities and dismisses others. Pessimism : Habitually expects negative outcomes in most situations. Cynicism : Distrusts the motives and sincerity of others. Overconfidence : Places excessive faith in one’s skills, often underestimating risks. Stubbornness : Resists change and refuses to adapt to new ideas. Jealousy : Feels envious of others' success or possessions. Insecurity : Experiences frequent self-doubt and a lack of confidence. Procrastination : Tends to delay tasks, often leading to missed opportunities. Passivity : Avoids taking initiative and relies on others to act. Aggressiveness : Responds with hostility or force rather than reason. Selfishness : Prioritizes personal gain over the welfare of others. Fragility : Is overly sensitive to criticism and easily discouraged. Egotism : Constantly focuses on oneself and one’s own importance. Defensiveness : Quickly rejects or rationalizes away critique or new information. Manipulativeness : Exploits others to fulfill personal needs or desires. Recklessness : Shows a careless disregard for potential risks or consequences. Resentfulness : Holds lingering bitterness and grudges over perceived wrongs. Distractibility : Finds it hard to maintain focus amid competing interests. Impatience : Lacks the willingness to wait, often spoiling opportunities to learn. Perfunctory : Performs actions in a mechanical, uninspired manner. Self-Doubt : Consistently questions personal abilities and decisions. Arbitraryness : Makes decisions based on whim rather than reason or evidence. Rigidity : Is inflexible and unwilling to consider alternative viewpoints. Gullibility : Trusts too easily, often leading to being misled or deceived. Obsession : Becomes excessively fixated on particular ideas or details. Aloofness : Maintains emotional distance, appearing detached or indifferent. Intolerance : Refuses to accept differing perspectives or lifestyles.

Writing Advice for Brainstorming

Mix genres and time periods: Experiment by combining elements from different eras or genres to create unique settings and narratives.

Use "what if" scenarios: Pose unexpected questions (e.g., What if time travel operated on emotions rather than mechanics?) to spark novel ideas.

Draw from diverse mediums: Engage with art, music, or even scientific papers to inspire unexpected plot twists.

Embrace absurdity: Let illogical or surreal ideas guide you; sometimes the wildest thoughts lead to compelling stories.

Reverse clichés: Identify common tropes in your favorite genres and deliberately invert them to create fresh perspectives.

Incorporate personal anomalies: Transform your idiosyncrasies and personal struggles into rich, multi-dimensional characters.

Use mind-mapping: Visually plot your ideas in a freeform way to uncover hidden connections between disparate elements.